Studio Mumbai at Victoria & Albert Museum, London.

August 4, 2010

Having studied the Studio’s output, there is no doubt in my mind that these gifted architects are finely tuned to distilling the best of India in everything they do. I am certain that they choose the clients and projects carefully and work closely with their own craftsmen, with sufficient resources at hand, ensure that the finished products are a true synthesis of the best the country can offer.

This admiration did not rescue me from feeling slightly uneasy when confronted with their wonderful, intellectually teasing offering in V&A’s Cast Courts in among the Renaissance masterpieces.

The V&A’s brief to produce buildings representing refuge, shelter, contemplation and worship has been met and easily satisfied. Their miniaturised, compact, top lit world evokes visual images which can bring works of Bawa, Zumthor and Ando and many others within a touching distance.

What I found difficult to reconcile with was a direct comparison (as shown on  the video describing the exhibit) between the realities of this compact shack for eight souls made with found materials offering scant shelter from rain, cold and heat and the visual delights it exudes through the display. In this instance insertion of an extra word ‘survival’ could have made the brief more challenging and pertinent.

The placing of this ‘exhibit’ among the illustrious neighbours has to make you smile. Well framed views of David’s anatomy from within, give boost to Michelangelo’s efforts which he would have never dreamed of. Meanwhile, the frozen expressions on marble faces staring at this unexpected landing  look astounded after half a millennium of passive disdain.

I would love to travel back to 1465 on a ‘time machine’ to Florence Cathedral yard to rescue the huge Carrara marble block awaiting Michelangelo’s final conversion to David . I would then transport it to one of the passageways of Mumbai slums of early 21st Century and ask a needy family of eight people to do whatever they would like to do with this piece of marble to turn it into their home. The final results of their efforts (including working chisel marks) would than be exhibited in the Cast Courts of V&A Museum in the summer of 2010.

I am looking forward to a brilliant future for  Studio Mumbai and sincerely hope that some time in future they may also turn some of their energy and attention to living conditions of tradesmen working with them and the temporary dwellers  occupying tiny spaces around their studio in Mumbai.

See video made for the exhibition here;

http://www.vam.ac.uk/collections/architecture/smallspaces/videos/Studio-Mumbai-Architects/index.html

Studio Mumbai Web Site

http://www.studiomumbai.com/

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